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How Live Music Is Coping, And What The Near Future Will Bring

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Mikkel Berg Pedersen/Ritzau Scanpix/AFP through Getty Images

Mikkel Berg Pedersen/Ritzau Scanpix/AFP through Getty Images

Colin Pate was toiling away at his North Philadelphia recording studio in late June when he acquired an unbelievable textual content message: “Secret show at Johnny Brenda’s tonight, 6:30.”

Like so many locations, the beloved Philly music venue has been shuttered since the Covid-19 pandemic first flared up in March. The 250-particular person venue, a staple of the native music scene that served as an early stage for Philly acts like Kurt Vile and The War on Drugs, used to host exhibits virtually each night time. While locals can nonetheless order take-out meals and drinks from the bar, no person anticipated a band to play there — or wherever else for that matter — till someday subsequent yr.

“At first, I thought it was a joke,” says Pate, an area musician and recording engineer who has spent the pandemic bouncing between at-residence isolation, recording solo in the studio and dealing at native bars to cowl his lease. Like each different musician on the town, Pate’s hopes of enjoying any exhibits had been dashed by the outbreak months earlier. By late June, the prospect of attending one appeared simply as unlikely.

But this present was completely different. Rather than swap the upstairs stage lights again on, the venue’s workers hauled a PA system onto the roof of the constructing. Pat Finnerty and the Full Band, an impromptu group of native musicians led by guitarist and singer Pat Finnerty, arrange their gear, did a sound verify, and proceeded to tear by covers of David Bowie, Marvin Gaye, Neil Young and, appropriately sufficient given the rooftop perch, The Beatles.

As music stuffed the streets beneath, so too did a gathering of masks-carrying locals, desperate to expertise their first live performance in months. Some watched from house balconies. Others honked their automotive horns as they drove by. Most stood on the sidewalks and trolley platform beneath, sustaining a cautious, pandemic-pleasant distance from each other.

“We weren’t sure what to expect, but we really pulled it off,” says Marley McNamara, a expertise purchaser at Johnny Brenda’s who helped set up the present. “I was happy with the way people were all masked up and being respectful of those around them. It even sounded good, which I was surprised about.”

For residents of the metropolis’s Fishtown neighborhood, the shock efficiency appeared to supply a a lot-wanted distraction after months of social isolation, adopted by citywide protests and racial pressure that had boiled over in entrance of the police precinct down the road from Johnny Brenda’s just some weeks earlier. The vibe on the road was decidedly much less intense as Finnerty and his mates closed out with the “Ghostbusters” theme music towards a multi-coloured sundown.

Shows like this are a uncommon, if imperfect, vivid spot for the unbiased live music trade, which at the moment sits, like so many, on the brink of disaster. Since March, 1000’s of unbiased venues throughout the U.S. have remained closed in response to the coronavirus outbreak. As the pandemic drags on, it has created an existential disaster for these venues and the crucial function they play in music scenes and communities throughout the U.S. The Barracuda in Austin, The Satellite in Los Angeles and Portland’s Port City Music Hall are just some of the venues which have closed for good in current weeks, with many extra in danger of going beneath.

“It’s a really surreal and scary time for everyone, but especially for the music industry,” says McNamara. “We can’t lose places like Johnny Brenda’s.”

Without federal intervention, as many as 90% of indie music venues may disappear, in line with the National Independent Venue Association (NIVA). To that finish, the newly fashioned advocacy group is lobbying laborious for laws like the Restart Act or Save Our Stages Act, which would supply giant-scale monetary help to those endangered establishments.

For venues, the clock is ticking. If Congress does not move one of the music trade help payments circulating in its halls earlier than the legislature’s August recess, NIVA fears it might be too late.

“It would be like needing a kidney transplant, but not getting the new kidney until after you’ve expired.” says Audrey Fix Schaefer, a spokesperson for NIVA who additionally heads communications for the 9:30 Club and different Washington D.C. music venues. “It’s not going to revive the cadaver.”

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Frazer Harrison/Getty Images

Frazer Harrison/Getty Images

The impression of such a collapse could possibly be culturally devastating. Unlike eating places or retailers, a small or medium-sized music venue is greater than only a enterprise serving its clients. They live, respiration mini-establishments in their very own proper, every one with its personal distinctive capability to incubate native bands and artists, host touring ones, and join all of them to the communities of like-minded present attendees that these areas appeal to.

For artists, who are likely to make the bulk of their revenue performing live, this might jeopardize their capability to plan profitable excursions as soon as the pandemic is over. “You can’t get on a bus and play at a boarded-up building,” Schaefer factors out.

As the live music trade awaits an financial lifeline and an eventual vaccine, some are utilizing the standstill to creatively rethink the performance and economics of live music. While no person expects new codecs like socially distanced, restricted capability exhibits to deal with the trade’s larger, extra systemic menace, the experimentation might yield clues as to the right way to safely expertise live exhibits earlier than a full reopening is feasible. Crucially, it is also an opportunity to construct extra future-proof fashions for live leisure.

The Complicated Promise of Socially-Distant Concerts

Philadelphia isn’t the solely place experimenting with pandemic-applicable exhibits. Across the U.S., drive-in concert events have turn out to be a brand new summertime pattern for larger, sometimes Live Nation-affiliated acts like Brad Paisley, Nelly, the Avett Brothers and, notoriously, The Chainsmokers.

For unbiased artists, the choices stay scrappier and extra experimental. In late March, LA-based mostly musicians like Booker Stardrum, Celia Hollander and Angel Olsen collaborator Ben Babbit carried out live from their vehicles in the car parking zone of an Echo Park grocery retailer, broadcasting it to attendees’ automobiles over an FM radio frequency. A Sun Kil Moon present in Big Sur, Calif., held in July by the boutique music occasion curator FolkYEAH!, employed social distancing, temperature checks and restricted venue capability to supply followers an escape from the months-lengthy live music drought.

In Nashville, live music has performed a extra difficult function in pandemic life. While most venues in Music City have been lifeless silent for months, some are joyful to check the lockdown’s limits. Summertime crowds of usually masks-much less folks packing the honky-tonks and bars of Lower Broadway have turned the downtown leisure district into the epicenter of Nashville’s present coronavirus surge.

In mid-June, Kid Rock’s Big Honky Tonk and Steak House was amongst 13 Nashville institutions cited by the metropolis’s well being division for ignoring social distancing guidelines, internet hosting nation music exhibits to crowds packed shoulder-to-shoulder. Two weeks later, nation star Chris Rice got here beneath hearth for enjoying a live performance in close by Petros, Tenn. to a crowd of a whole lot of followers who appeared to assume bodily distancing and masks had been non-compulsory.

Some in Nashville are not less than attempting to do issues responsibly. City Winery, a restaurant and venue in downtown, has saved a lot of its music programming going all through the pandemic by transferring its exhibits outside and implementing a rigorous set of security protocols for attendees, artists, and workers.

In addition to strictly-enforced masks and social distancing necessities, City Winery offers each attendee a temperature verify and well being questionnaire after they arrive. To restrict crowds and social interplay, the venue requires reservations, staggers the teams getting into and leaving, and has attendees pre-order their meals and drinks to a pre-chosen desk in a “pod” set eight toes other than different events. From begin to end, the whole expertise of every present is rigorously designed to restrict the threat of spreading the virus.

“If everyone would follow these types of procedures across the country, we wouldn’t be in this mess,” says City Winery CEO Michael Dorf.

As bulletproof as City Winery’s strategy might sound, it has its limitations. For one factor, the economics of restricted capability exhibits are inherently difficult for venues, and even moreso for the artists who carry out there. Fewer attendees means a smaller pie of ticket income to be sliced up between the venue, its workers and the artists.

“We have less money to pay our vendors and artists,” says Dorf, noting that exhibits sometimes internet hosting 1,500 ticket holders are actually seating just some hundred. “There’s this great recalibration that needs to happen if live music is going to continue.”

A photograph taken in Nashville on Aug. 7, 2020.

Jason Kempin/Getty Images

Then there’s the unpredictable nature of the pandemic itself. Even the most buttoned-up and flawlessly executed strategy to pandemic-protected exhibits might be thwarted by a sudden change in guidelines as state and native governments react to the newest coronavirus an infection developments, which proceed to surge in lots of U.S. states. Tennessee, which Dr. Anthony Fauci warned was in danger of a surge in late June, is now seeing infections rise in almost each county.

“It’s changing week to week,” says Dorf. “In our virtual office, we have a chart that breaks down the positivity rate in each market and looks at the trends, just like the scientists. We need to try and predict what’s going to happen in each place.”

The fixed fluctuation can ship enterprise homeowners again to the drafting board after they least count on it. On June 22, Nashville started its transition into the much less restrictive third part of its reopening plan. But by the starting of July, the surging infections pressured officers to roll again to a “modified phase two” and put new restrictions on eating places and bars, the latter of which had been ordered to shut for 14 days.

If safely working exhibits throughout a pandemic is difficult in a single metropolis, scaling the mannequin throughout locales is virtually inconceivable. Outside Nashville, City Winery additionally operates in seven different U.S. markets, most of which stay quiet for now. After outside concert events proved profitable in Nashville, the firm introduced in mid-June that it could launch a brand new socially distant outside music sequence referred to as Concerts in the Vineyard at its location in New York’s Hudson Valley. The subsequent day, New York State authorities informed Dorf that the concert events had been forbidden, and that transferring forward with them may price the venue its liquor license.

Dorf has spent the final a number of weeks attempting to persuade New York authorities, together with Governor Andrew Cuomo himself, that his firm’s strategy to outside exhibits isn’t solely protected, however may function a possible mannequin for bringing live music again to life earlier than a vaccine is prepared.

Finally, in early August, Cuomo agreed to let City Winery’s Hudson Valley live performance sequence proceed starting in September. That is, assuming nothing adjustments.

When ‘New Normal’ Is A Moving Target

For City Winery, this dizzying ping-pong of adjustments and discrepancies over time and throughout completely different places has made it particularly difficult to maintain the music enjoying at even one of its places, not to mention the different seven.

The crew’s frustration speaks to a wider problem that plagues the live music trade and lots different elements of life amidst the pandemic: Perpetual uncertainty. As the virus surges and the state of the pandemic evolves, it turns into troublesome for folks and companies to adapt. Just when a reopening plan, metropolis well being regulation, or state-issued mandate appears set, one thing adjustments.

Sudden shifts in actuality are actually the norm in every single place. Back in Philadelphia, the homeowners of Johnny Brenda’s aren’t planning any extra rooftop exhibits. It’s not that there is a lack of curiosity; after the first one, McNamara stated they bought messages from brokers for larger nationwide acts all in favour of enjoying on the roof. Ideas shortly began brewing. Then, like clockwork, all the things modified once more: On Jul. 14, Philadelphia Mayor Jim Kenney introduced a citywide ban on any occasions consisting of greater than 50 folks, which can stay in impact till not less than Feb. 2021.

“Everything is so fluid that it’s really hard for us to ever plan anything like this again, even secretly,” says McNamara. “it feels like a different environment now.”

Meanwhile, Pat Finnerty and his mates are questioning when and the place they could have the ability to play one other socially distanced pop-up present. Finnerty says he is desirous about doing one thing alongside the metropolis’s waterfront, or at Philly landmarks that is perhaps protected locations for folks to distantly congregate. Eventually, he desires to park two socially-distanced boats in New York Harbor in entrance of the Statue of Liberty, the place his band will play a set of Neil Young covers.

For now, given the surges and fixed adjustments, Finnerty is content material to attend issues out a bit longer. “Me and my buddies have all said no to a million gigs,” he says. “Personally, my own conscience says we need to slow down. There are too many ass****s out there right now.”

Can The Live Music Industry Future-Proof Itself?

Ric Leichtung is heartened to study the Philly rooftop gig. “Those are the stories that keep people going,” he says.

But his vantage level, from simply up the highway in Brooklyn the place he runs the indie live performance promoter AdHoc, solely permits for a lot optimism. For Leichtung, it is laborious to ascertain a rooftop DIY present sequence atop the warehouses of Bushwick anytime quickly. As the first main epicenter of the pandemic in the U.S., New York has been locked down and beneath particularly strict restrictions since the starting. The metropolis’s music venues are more likely to stay silent till a vaccine is launched, if not months later. “That means, what, next April? June? Sometime in 2022?” he wonders. “It’s insanely scary, honestly.”

Liechtung agrees with the trade consensus {that a} federal stimulus is the solely approach for the unbiased venues in New York and past to outlive lengthy sufficient to see the finish of the pandemic. “The consolation prize of online events or limited gatherings simply is not enough,” he says.

While such an intervention would forestall an imminent cultural disaster, it might solely be the first step towards guaranteeing a sustainable future for unbiased artists and areas. But simply as the pandemic exposes systemic weaknesses in the trade, many imagine it additionally presents a possibility to begin constructing one thing extra resilient.

Mat Dryhurst, a musician and Berlin-based professor at NYU’s Clive Davis Institute of Recorded Music, has spent lots of time desirous about various fashions for a way venues could possibly be owned, interlinked, supported, and even outlined in the future.

“There are ways to develop economies around the thing that people really do cherish about music, which is ultimately a sense of belonging and of coming together,” says Dryhurst.

Of course, it is the “coming together” half of grassroots music tradition that has been rendered bodily inconceivable by the pandemic. But, given the current rise in crowdfunding drives, Bandcamp Fridays and different digital expressions of assist for unbiased music, Dryhurst can not help however surprise if stronger connections could possibly be constructed between digital communities and bodily areas.

Rather than ready for an emergency to solicit donations, DIY music areas and medium-sized venues may construct deeper digital communities and experiment with assist fashions like memberships and subscriptions. Something like Patreon, however for locations.

A membership-supported music membership mannequin won’t work for each venue, however areas that provide sufficient worth to folks in the group might effectively discover a sustainable supply of income. In some locations, this mannequin of group-based mostly assist may even be taken just a few steps additional, right into a shared group possession of areas.

“There are also other possibilities for venues beyond music,” Dryhurst factors out. Plenty of small DIY music venues already serve different capabilities throughout daytime hours, equivalent to instructional workshops, artistic workspaces, and offering varied group companies. In doing so, these areas turn out to be extra important to the group round them. And in the end, Dryhurst hopes, much less susceptible to the form of existential menace posed by pandemics or future local weather catastrophes.

“My hope is that over the next year, we’ll start moving away from a reactive space into that more generative space,” Dryhurst says. “What could be built that would be more resilient in case something like this happens again? “

As an instructional, Dryhurst acknowledges the inherent privilege of having the ability to toss round large concepts at a protected distance from the trade trenches. As a musician, he hopes one thing sticks, as a result of he cannot wait to crawl again in.

[Update] 6 Predictions for the Future of Live Music | the future of live music – Cazzette

6 Predictions for the Future of Live Music

Live music has been a significant fixed in human society for 1000’s of years. Whether you might be half of a tribal society enjoying to members of your rural village or a rock god enjoying to 1000’s in stadiums, live efficiency has been an integral half of all music, regardless of time and style. But regardless of all of this, live music at the moment finds itself at the most pivotal and unpredictable second of its story.

On one hand, fashionable expertise is driving the evolution of thrilling potentialities for live efficiency. But on the different, current occasions equivalent to the Coronavirus pandemic have solid a shadow over the future of live music, leaving many individuals terrified that they could not ever have the ability to take pleasure in a live performance in the similar approach they as soon as did.

At WeJam we discover it each animating and daunting to consider what the future holds on this respect. So listed below are six of our predictions for what the future of live music may appear to be.

Virtual and augmented actuality

Coronavirus purchased the world to an entire standstill as many of us had been pressured to spend months on finish trapped in our houses. Watching concert events was an apparent factor that wanted to be placed on maintain to cease the virus spreading, however in the brief time that concert events have been cancelled, the trade has been estimated to have already misplaced $10 billion. For each an trade that now desperately calls for innovation in addition to billions of followers who miss seeing their favorite artists on stage, adaptation appears all however inevitable.

Therefore our first prediction for the future of live music is the use of digital and augmented actuality. To many, this will nonetheless seem to be a futuristic idea, however digital actuality discovered its approach into mainstream society virtually a decade in the past. Companies like Sony used digital actuality headsets to create visionary gaming landscapes that buyers may take pleasure in. But the expertise even finds intensive use in drugs, serving to sufferers to beat points equivalent to PTSD and autism.

With the expertise already so readily developed, it’s a logical assumption that it would quickly be fed into the music trade to fulfill the appetites of music lovers and drum up income for venues. Although you might not have the ability to bodily attend a live performance, it is possible for you to to take pleasure in a particularly practical replication from inside the partitions of your individual residence. For venues and expertise corporations, ticket gross sales would rise considerably as a result of there can be no restrictions to a most capability of a venue area. Patrons wouldn’t solely have the ability to take pleasure in live concert events from their houses however would additionally have the ability to relive traditional concert events that they could by no means have been capable of attend.

Augmented actuality has already began to seek out its approach into the music scene. 2012’s Coachella exhibited a hologram of Tupac that moved and sang. This functionality of ‘bringing back artists from the dead’ opens up quite a few potentialities for futuristic mild exhibits that may additionally draw on the previous.

Drive-through concert events

When we take into consideration the approach our music trade is adapting to Coronavirus, we are able to have a look at the future in a much less hypothetical approach and draw on the precise responses of the music trade that we have now seen thus far. One response that actually stands out is the beginning of the drive-by live performance.

Standing in a crowd of folks singing and respiration on one another clearly can’t be allowed, however many appear to assume listening to music by the open home windows of your automotive is a detailed second finest. In some circumstances, folks have a chosen space subsequent to their automotive the place they’ll stand and luxuriate in the music.

This was first seen being finished in America in addition to elements of Europe, however the UK hosted 12 of these occasions throughout July 2020 that includes artists equivalent to The Streets and Gary Newman. For many individuals together with the performers, the crowd vitality of 1000’s of punters dancing and singing in unison is a big half of what makes live music so entertaining and gratifying. So as a substitute of cheers, performers should obtain solely a dim crowd murmur and the odd appreciative horn toot.

Only time will inform whether or not this unusual observe will turn out to be out of date, or whether or not will probably be the new factor that all of us do on a Friday night time to get our fill of live music.

Socially distanced concert events

For some, having a automotive between them and the subsequent fan simply doesn’t fairly minimize it in phrases of creating the full of life ambiance they’re used to. We are all now effectively accustomed to socially distancing in retailers and different areas, so why not carry that into concert events?

Beverly Knight gave us an instance of this when she starred in the first socially distanced West End efficiency. 500 folks sat in the Palladium (1 / 4 of the venues’ regular capability), with masks on, every separated by rows of chairs. For many types of live music equivalent to classical or musical theatre that didn’t initially require folks to face in shut proximity to one another, this might solely be a minor change.

Interactive concert events

Technology’s huge progressions imply that quickly each artists and followers might have a totally completely different kind of live performance at their fingertips. One instance of that is interactive concert events. There have been some examples of these in the previous, the place the followers are capable of have some management over the content material of the efficiency. This is perhaps finished by an internet voting system through their telephones and even direct contact by social media networks that the artists can reply to live.

This results in the followers having the ability to have a say in components of the efficiency equivalent to stage lighting and even the musical content material of the present. Having higher management over the efficiency is an enormous draw for heaps of live performance-goers, and is an effective way to completely immerse themselves in the expertise. As musicians proceed to discover extra digital avenues, the potentialities for crowd interplay solely will increase.

Companies equivalent to WeJam have additionally developed expertise that would probably permit followers to play their favorite songs alongside artists from the consolation of their houses.

Wearable Technology

Recent technological improvements have additionally led to new concepts equivalent to wearable expertise. Tech consultants are searching for methods to mix devices with what performers are carrying. This may embrace a t-shirt with controls on it, and even one thing so simple as an apple watch that helps artists to play songs or management the stage visuals. You can solely think about how dynamic a efficiency could possibly be if none of the artists was restricted by musical devices.

Wearable expertise additionally has heaps of thrilling potential for followers. Countless venues require patrons to put on a wrist band upon entry, however what if this had some easy expertise connected to it that enhanced the crowd expertise.

Both Coldplay and Taylor Swift have already proved how efficient this may be. They put lights in all of the wrist bands, successfully extending the mild present from the stage and into the crowd. The fundamental components of a live efficiency are the sounds and the visuals, however this expertise could possibly be used to stimulate different senses throughout a efficiency. For instance, vibrations which might be related to the songs could possibly be despatched by the band, including one other dimension to how we expertise music.


The closing prediction for the future of live music is that the approach we buy and use tickets will probably be vastly completely different. We have already seen big adjustments in the approach we purchase tickets. The age of paper tickets now looks as if a distant previous. Today we’re overwhelmed with QR codes that should be scanned to get into any venue, whether or not it’s from a wristband or a telephone. In a world the place face recognition expertise is commonplace when unlocking telephones, is it that farfetched to foretell that it in the close to future we is perhaps scanning our faces, fingerprints, and even eyeballs to get entry into venues?

Experts are additionally predicting democratisation of ticket sale platforms. Often venues or occasions corporations will solely promote tickets by one web site and frown upon any form of resale. In the future, it could possibly be the case that live performance-goers can purchase their tickets from a a lot wider selection of platforms. This is particularly helpful for the patrons as a result of a big community of third events that promote tickets isn’t solely very handy but in addition decreases the threat of scammers.

What subsequent?

Over the years many predictions for the future of the music trade have been made. Some predicted that CDs would by no means take off, and others even predicted that radio would by no means have any business worth. Clearly such a dynamic trade all the time holds the potential for seismic adjustments.

Our predictions might effectively not come to move, nonetheless, it’s nonetheless thrilling to look forward and dream about what’s but to return. One factor’s for positive, corporations equivalent to WeJam that present immersive experiences for music lovers are right here to remain, and should even play a component in the survival of this at the moment fragile music trade.

The Future of Live Music Is Here!

Brought to you by Haulix, the music trade’s main promotional distribution firm. Join Haulix in the present day and get immediate entry to the similar service utilized by Slipknot, Bruce Springsteen, and 1000’s extra. Visit http://haulix.com/signup for particulars.
On August 11, a brand new venue opened in Newcastle, England. The Virgin Money Unity Arena is a 2,500capacity live performance area not like some other. It’s the world’s first sociallydistant venue, and it options 500 live performance pods the place followers can collect to see their favourite musician carry out.
In this Music Biz News replace, host James Shotwell discusses the venue and what it might inform us about the future of live music. He additionally seems forward and questions whether or not or not related areas will exist when winter inevitably arrives.

You can see extra helpful data right here: See here

The Future of Live Music Is Here!

Night at Work | Instrumental Chill Music Mix

Night at Work | Instrumental Chill Music Mix
Spotify Playlist: http://spotify.fluidified.com
Tracklist with hyperlinks beneath.
An instrumental chill combine that includes the most interesting in deep, calm and atmospheric digital music, with genres equivalent to chillout, downtempo and future storage. Uses for the music embrace music for background, working, learning, focus, focusing, stress reduction, and so forth.
0:00 Ptr. Genesis
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3:56 Liam Thomas Could We Say Goodbye
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7:47 Audial Silhouette
11:33 Daminika The Colors of the Evening
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15:48 Emiliano Secchi Crossroad
DL: https://emilianosecchi.bandcamp.com/album/panorama
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DL: https://evocativ.bandcamp.com/album/lostinadreampogo
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DL: https://hellometeor.bandcamp.com/album/sleepartifacts
46:36 Speh Torn
DL: https://speh.bandcamp.com/album/betweenthelinesep
51:15 Liam Thomas Alinio
DL: https://music.apple.com/us/album/whenthestarsalignep/1387231701
54:58 Hiatus Relic
DL: https://hiatusmusic.bandcamp.com/album/defeat2
58:46 Liam Thomas The Last Time I Saw You
DL: https://music.apple.com/us/album/whenthestarsalignep/1387231701
This video was uploaded for promotional functions. If you take pleasure in the music, please assist the artists and obtain the highest quality variations of the tracks from the hyperlinks above! If you personal any content material on this video and would really like me to take it down, please contact me (contact[at]fluidified.com) and I’ll take away it instantly.

Night at Work | Instrumental Chill Music Mix

Chillstep Music for Programming / Cyber / Coding

Could music enhance your coding efficiency?r
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Genre: Electronic music, Downtempo
Style: Chillstep, Dubstep
Mood: Future, Night
Duration: Two Hours
Feature: Without Lyrics
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Chillstep Music for Programming / Cyber / Coding

Music trade professional on the future of live music after COVID-19

Eric Williams, proprietor of occasions area, The Silver Room, in Chigago speaks to CGTN’s Sean Callebs about the impression the COVID19 pandemic is having on live music venues.
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Music industry expert on the future of live music after COVID-19

Chillstep Mix 2021 [2 Hours]

Chillstep Mix 2021 Perfect examine music, sleep music, work music or for simply chill background music, depart a like u0026 a remark when you take pleasure in this!
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Art by t1na https://www.deviantart.com/t1na/art/Revelation858462486
♫ Tracklist;

►0:00 Michael FK On the Horizon
►4:22 Krisu Otherworld (Wayr Remix)
►9:04 Kyon Grey Meliora
►13:31 Ptr. Spellbound
►16:59 Michael FK Towards the Dawn
► 20:31 Kyon Grey Kalatea
► 24:35 Nomyn Fragments
► 28:09 Michael FK For All Eternity
► 31:35 Nomyn Elusive
► 34:48 Ptr. Genesis
► 38:39 MARION High Hopes
► 42:29 Sappheiros Spirit
► 45:28 MARION Pilgrim
► 49:22 Michael FK Innocence
► 53:26 Aurora B.Polaris Natsukashii
► 57:35 Dimatis Two Ways

► 01:01:30 Ferven Broken
► 01:05:10 Sappheiros Miracle
► 01:09:11 Michael FK Embrace (Extended Mix)
► 01:19:42 Justin Jet Zorbas My Dreams In a Reflection
► 01:22:57 Krisu Beyond Butterflies
► 01:27:57 Eminus Hope’s Beginning
► 01:32:27 Krisu Human
► 01:36:10 Michael FK Sonder
► 01:39:51 MARION Wanderland
► 01:42:36 Michael FK In Our Hands
► 01:45:50 MARION Solitude
► 01:49:52 Michael FK Empyrean (Extended Mix)
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Study / Study Music / Study Mix / Background Music
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Chillstep Mix 2021 [2 Hours]

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