Do you find Japanese music helps to balance your life? Are you looking for the top 21 Best Japan Music? Click here to find out! Cazzette, one of the most popular websites that provides information on Japanese songs, will answer all your questions. What is your intention when you listen to music?
Cazzette recommends that you read this post if you are interested in more relaxing songs. These songs are rated the most suitable for stress relief. Follow the link to find out more.
Top 2 Best Japanese Musicians You Should Listen 2021
1. Hiroshi Yoshimura – Green (1986)
Hiroshi Yoshimura, a pioneer of the tactile, led the way in the pursuit of dissonance and dissociation. Japan’s 80s underground was pursuing the furthest corners through noise rock and hardcore. He would work with Haruomi Yoshimura, Satoshi Ashikawa, and Midori Takada to push the underground’s obsession with extremities to its end. Humanistic structures are made of glass and light.
The minimalist influences of early ambient are transformed into something more measured, a news agency. His work is almost prophetic in its simplicity and emotional point compared to his Western ambient contemporaries.
Green delivered his strongest statement on simplicity with Green, combining field recordings with arpeggiated synth-lines to create expansive ambient mini-suites.
It is especially remarkable to feel the almost ambient-techno glide in “Creek”. It takes the minimalism and ambient influences to their logical end in a way that would be nearly impossible for the rest of the planet to duplicate. It’s an album that is both physical and auditory.
Perfume is a great choice if you love techno-pop.
No matter if it’s a movie or drama theme, their music is chosen.
Pretender is the Japanese singer from the famous Japanese band: Official Hige Dandyism. Satoshi Fujihara wrote the song.
This song was included on their last year’s major album, Traveler. Over 240 million viewers have viewed the music video for this song on Youtube to date. That’s quite a number. Listen to it and let us know what you think.
4. Suiyōbi no Campanera
Suiyobi No Campanera, a Japanese music band, was formed in 2012. It combines elements from the EDM, J-Pop, and Hip Hop genres. KOM_I and Kenmochi Hidefumi make up the trio. Dir. F is also part of this group.
KOM_I is the main singer and vocalist. She can be seen in many different ways. Her music changes her. She uses historical themes in all her songs and shows them through her music videos.
Some many musicians and entertainers are drawn to her mysterious charm, besides the music. The existence of a taboo lover in Japan is also open to the public. Many people are fascinated by it.
5. Ichiko Aoba – 0 (2013)
“Oh, that’s a pretty new record. Rob, that was very nice. This is a clever declaration of classic status that slips into an old, safe list. It’s very pussy! Jack Black in High Fidelity ((2000)
Each list requires one. However, I doubt that many will object to this particular example. In the short time that Ichiko Aoba’s career has lasted, she has achieved a near-pantheonic status. Her music has timelessness from the first guitar phrase on her debut album Kamisori Otome in 2010.
The world of dreams and city-angst is weaved into delicate tapestries. Her albums are like Narnia touches or visits from the faeries. They are full of elegant beauty and the lingering fear that adulthood is coming. However, Ichiko Aoba does not consider herself a fairy, and as time passed, more complexities emerged.
Ichiko Aoba’s central point is number 0. Her growing fascination with studio manipulation and her emotional multiplicity meet her minimalistic fingerpicking style. It was a meeting ground that resulted in a delicate balance.
Ichiko was at the edge of something new, but only for a moment. Then she plunged into the studio-based avantgarde of 0% or the sonic density in Mahoroboshiya. These albums are also high-watermarks of Japanese music, but it’s the meeting ground that makes the most profound.
The expansive beauty of live “いりぐちでぐち”, as Ichiko Aoba walks through a mountain pass tunnel. Or the spry bounce from “We’re Survivors”, capturing that fleeting moment when you leave people behind in your memory.
It is a delicate balance between lofty, simple emotions and complex maturity. It’s a tightrope that sees Ichiko Aoba using all of her strengths as an artist.
6. Johhny’s West – Big Shot
This song is best suited for boys who are into boy bands.
The second spot features Big Shot, which can be identified as a Johnny’s West single. This Japanese band is very popular. This song was released for the first time on October 9th, 2019. Big Shot was chosen as the official theme song for last year’s FIVB Volleyball Women’s World Cup Japan.
The song reached #1 on some Japanese music charts, and it will stay there for a while. Are you familiar with this song?
7. Yellow Magic Orchestra – Solid State Survivior (1979)
Although Yellow Magic Orchestra didn’t invent synth-pop music, they did create the attitude. This confidential document, from across the Pacific, is what gave rise to the sunshine-soaked romanticism of electropop music.
Many people point to Kraftwerk’s synth-pop landmark albums of the late 1970s as the sole propagator of the genre. Still, it’s difficult to imagine how such a vibrant, pop-focused genre could have originated from such steely-eyed Germans.
Songs like “Spacelab”, with their epic and precise rhythms, don’t invoke the images of bright primary colors that we associate with the 1980s. The image is easy to see when you listen to Yellow Magic Orchestra’s bright absurdity in “Technopolis” or “Day Tripper”.
Don’t believe it? Listen to Michael Jackson’s cover Solid State Survivor’s “Behind The Mask”, which was supposed to be on Thriller. The vocoder is used to fill in the chorus. Or the repetitive, thick proto-techno bassline that builds the song from scratch. Yellow Magic Orchestra created the ultimate template for a sweet, synth-pop song.
A decade of artists could then create their work from this template, possibly unaware of the huge debt it owed three Japanese men.
Solid State Survivor would continue to inspire new genres such as Detroit Techno, Shibuya-Kei, and J-Pop. This helped spread the band’s influence across the globe.
Perhaps too much historical and inspirational value can distract from the pure pleasure of listening to Solid State Survivor.
Although it has dated sounds and compositions that aren’t as complex as the electronic soundscapes we hear daily, its charm and creative spirit are still evident. Reimagining simple gestures into body knocks can make a space bloom.
8. Rie fu
This song is essential for anime fans. This was the theme song for Bleach.
Rie fu sings bilingual because she can speak both English and Japanese. She resides in Tokyo, but she attended the University of the Arts London.
Her music beautifully captures the emotions of people. These songs can make us feel happy but also warm. These songs are frequently used as the theme songs for Japanese animation. She is also an oil painter, so her CD covers are often made in oil. This also allows her to share her unique worldview.
9. Quruli – Zukan / Team Rock (2000 / 2001)
Quruli is not complete without mentioning Zukan, their most important and influential album. Jim O’Rourke, the producer who brought us Yankee Foxtrot, Ys, and, of course, Eureka, was Japan’s absolute rock star. It’s rock excellence in every way.
Catchy hooks and noisy mixes. Power ballads mixed with swinging rockers. Comfortable and experimental all in one. Both “Millenium” and “Byoubugaura” are two of the most iconic rock songs ever written.
It’s safer and more considered than the boundary-pushing electronic crossover they would produce over the next few years. But its simplicity is what makes it unique and surpassing.
Quruli is not complete without a mention of Team Rock, their most important and influential album. Jim O’Rourke, the producer who brought us Yankee Foxtrot, Ys, and, of course, Eureka, was Japan’s final alternative music star. It’s rock excellence in every way.
Catchy hooks and noisy mixes. Power ballads mixed with swinging rockers. Both experimental and familiar all in one. The home of “LV30” and “Team Rock” are two of the most memorable alternative songs ever written. It’s certainly more complex than the instantly satisfying rock music they produced over the previous few years, but its defining, surpassing factor is its complexity.
10.Eiichi Ohtaki – A Long Vacation (1981)
Eiichi Ohtaki’s album A Long Vacation is different from the other albums on this list. He wasn’t an underground star, an indie crossover, or even a pop superstar.
Eiichi Ohtaki is and will always be an icon. Someone who moved units in platinum (emphasis added on the s) rather than the golds. Ian Curtis is more Freddie Mercury than Ian Curtis. He would also be on the list for best-selling artists in the decade when the 80s ended.
The Japanese pop culture foundation is undoubtedly built on A Long Vacation. The combination of smooth 80’s style and Brian Wilson’s pop harmonies kept him at the heart of City-Pop. It felt like a compilation album. It presented pop smash after pop smash while not succumbing to the pop cliche and cheap songwriting.
Eiichi’s tenure as the main songwriter for the legendary underground band Happy End was similar. He continued to write songs with a rich emotional tone that rose and fell in powerful ways. Transforming pop music into something more accessible and complex. Pure pop ecstasy is something only the most skilled songwriters can achieve.
Marigold is another popular choice by Aimyon. This song is a Japanese classic that speaks about love and melancholy. It isn’t too lighthearted or sentimental. It’s about love and feelings and how they can change because nothing is ever the same. It was released on August 8th, 2018, so it has been around for quite some time.
It is still on the charts due to its popularity. It is included on the album along with Marigold (instrumental) and Anata no Tame ni (“For Your Sake”). Marigold is Aimyon’s sixth single. The song is also included in a commercial for Google App.
12. Supercar – Highvision (2002)
Supercar gave up their guitars at the dawn of the new millennium to embrace the warmth of synthesizers. Pure, un-abstracted joy was born. Completely removing irony and pretension.
It’s a bit of a cliché, I know. But Pitchfork once said that “Comparing this album to other albums is like comparing an aquarium to blue construction papers” about Kid A. You can rarely come up with something so absurd in your life, as is the case when rock bands discovered electronic music in the early 2000s.
Highvisions, where Kid A used electronic and experimental music to make statements about decay and internet dissociation is… not that. Dream pop electronic music like “Strobolights”, “I,” and other “I” songs are like sunshine peeking through corners, predicting love and tranquility for the new Millenium.
This Millenium is a mess, but it’s not Supercar’s fault. They gave everything they could to make it better. They filled songs with pure earnestness and beam them out to the world, ready to make new starts… via CD-R.
13. Boredoms – Vision Creation Newsun (1999)
“Vision!” Creation! News!
What else do you need? Yamatsuka Eye won’t give you anything else during the nearly cataclysmic runtime of Vision Creation Newsun’s 67 minutes.
These words are sent into the same prismatic distortion field, pulling the rest of this album’s sounds into an imaginary plane where sound gains a completely new cartesian dimension. This new directionality allows you to move inward and outward until it seems like it encompasses all and everything.
This was at least the approximate representation of it that I had to make after having smoked any marijuana in the wild.
This is a relic from a time when I believed weed would enjoy, “totally makes awesome music, dude”. That was a childish idea I lost in those woods, along with any desire to use drugs.
They should replace all drug prevention programs with this album and a single. Let the dissociative fits and head-splitting headaches go.
This album is amazing. This album is safe for the sober and secure mind. The layers of tribal drumming, and endless guitar phrases, reverberate and shake through the songs’ delicate constitutions.
Songs are human creations incapable of handling the otherworldly signals of Yamatsuka, a company beaming in from another dimension. As I walk towards the bottle of Advil, I feel beaming into my head.
14. Ringo Sheena
Ringo Sheena is undoubtedly a leading player in Japanese music. “Gibson”, called a masterpiece by Ringo and is also a representative song for Sheena Ringo, is a song she wrote as a high school student. Ringo Sheena has been recognized for her talent in numerous countries. She provides the song to many actresses as well as artists.
She also performs in Japanese style. Her music is unique, and she can be felt in her personality. You will never get bored of the live performances. Many people admire her.
15. Morita Doji – A Boy (1977)
Morita was a musician for only eight years. She retired in 1983. Morita never revealed her true name. She was an enigma in the best sense of the word, up to her tragic death earlier this year.
A figure of extreme misery and disinterest. It seemed like she had just disappeared, surrendering to the hauntings and ghosts that pulled at it.
Even decades later, these strange elements of Morita’s presentation never lose their power. Morita’s dark retreat was perfect for the music, even though time has proven most musicians to be mere deception. Morita was like a ghost lingering at the edges of life, and the music was pulled from the other side.
It was a harrowing string and needled guitar experience that unfolded like layers of a funeral dirge. It was almost supernatural in its power.
It invokes images of retro-horror films, gothic distress, and yet it never abandons the conventions of folk song. To manipulate the songs to the grave and depressing ends, simple chords and arrangements are used.
Lemon by Kenshi Yamaguchi is very likable. The song was released on March 14th. It is about death, particularly the sorrow that comes with the loss of loved ones.
This song is part of the TBS theme song for Unnatural, a drama series that airs on Fridays. Yonezu was asked mainly about anime songs, so he didn’t experience making a drama piece. He was deeply inspired by the death of his relative to write this song. Although the theme is about death, it quickly becomes one of the top Japanese songs in 2021.
17. Number Girl – School Girl Distortional Addict (1999)
Number Girls’ major label debut is one the most important texts in post-hardcore. Number Girl emerged from Japan’s unhinged noise-rock underground in the 80s and 1990s. They were proud to be listened to, just as they were proud not to be listened to.
Their debut album was released two years ago. They had already proven that they have the pop sensibility of true pop stars.
Number Girl started to focus on the sound that would propel them into indie superstardom with “Memories In My Head”, their debut album’s hit single.
Number Girl created a perfect soundscape of frustrated melancholy by combining elements from emotional post-hardcore such as Sunny Day Real Estate with the loud alternative-rock of bands such as The Pixies and Husker Du.
The debut album was not without its faults, and it struggled to capture the sound. However, the sequel was confident.
The School Girl Distortional Addict was the epitome of purposeful chaos and fine-tuning. Songs that were on the brink of collapse but then pushing them to explosive, crunchy climaxes.
While Number Girl would continue to improve their sound until 2002, exploring darker parts of their melancholic souls on equally important releases, it was School Girl Distortional Addict’s conflicted balance that made them so iconic.
18. X – Blue Blood (1989)
It’s tempting to plug these albums into Spotify and just sit there staring at my long-winded ramblings (ignoring all my long pointless ramblings), but I strongly recommend that you not listen to Blue Blood. It’s not a bad album. It’s a great one.
This is not what I recommend. It is only a superficially rewarding experience that can be incredibly frustrating.
It lacks the context necessary to understand X and continue to be X. After watching this, you can hear X.
Visual-Kei is a Japanese style of music that is almost exclusively based on visuals and fashion. It’s hard to understand the package without actually seeing it.
X is, without a doubt, one of the most influential Japanese bands of all time. More than half of this can be attributed to factors that are completely unrelated to music. Visual-kei was the coda.
“Psychedelic Violence-Crime of Visual Shock”
This phrase would appear on every Blue Blood cover. It is a grab-you-by-the-balls statement that shakes the world and lets you know that…something has…changed…or something. It’s nonsense. These are dangerous words that have been stuffed in an absurd order to create a cool factor.
It is not at all dissimilar to the way that the music of X is a smear of dangerous sub-genres such as power metal, glam, and heavy metal to create a cool factor.
X was the embodiment of cool for cool’s sake. This was a revolution in self-expression. You didn’t have to be a boring “authenticity” to be something. All you had to do was put on some white makeup and be whatever you want to be.
19. Go! Go! 7188
Go! Go! Seven thousand one hundred eighty-eight consists of three members. Their play is similar to enka, which is a traditional style of Japanese music. Go! Go! 7188 is a three-piece band. If you don’t know enka music, you might be surprised by their play. This play is the only one in Japan, and it is ethnic music for you. Yu’s voice is impressive.
20. Flipper’s Guitar – Camera Talk (1990)
Japan was in a state of disintegration at the end of WW2. Their industry and institutions were destroyed, and their sense of self was also ruined. However, Japan’s economic growth was almost unimaginable in the ’60s, ’70s, and 1980s.
The country grew hand-in-hand until it was one of the most powerful economic players globally by the middle 80s. The bombed-out neighborhoods and negative feelings were gone. Although the nation was able to get back on its feet, it did not regain its identity. It was unclear what Japan meant.
It was not just in a narrow sense. But in the whole of Japanese life as west culture and multi-nationalism started to flood into the country. Japanese urbanites began to develop a deep love for jazz music and french-ye, and they developed complex musical tastes and postmodernist ideas of Japanese identity.
The genre of Shibuya-Kei was born at the end of the long struggle for existence in the late 1980s.
The Shibuya district was named after a small Tokyo burrow. It fuses French ye-ye with jazz, bossa Nova, lounge music and 60’s pop into a futuristic retropastiche. Japan’s postmodernist culture is the inevitable result.
Flipper’s Guitar was at the peak of its rise onto the national stage, Keigo Ozawa (aka Cornelius) and Keigo Oyamada. They became the faces of the new scene together. Songs like “Young, Alive, In Love”, which was a hit, would be the definitive hits of the genre. It is filled with youthful joy and a talent for making retro pop arrangements sound strange.
They were able to make subtle manipulations that made them feel innovative and sly despite their fetishistic aesthetic. This album was a masterpiece and the purest form of the genre before it would gradually expand to include the world of synth-pop, trip-hop, and house music in the mid-90s.
This was in large part due to Flipper’s Guitar, who also grew beyond their humble beginnings. Their greatest joys, and the greatest strengths of the genre, are found here.
21. Taeko Ohnuki – Sunshower (1977)
City Pop’s balance of pop-rock, jazz, folk, and disco could be described as the auditory equivalent to wallpaper by casual observers. This genre has been compared to elevator music many times by western listeners.
It can be exhausting and difficult to listen to City Pop albums that make it onto Rolling Stone Japan’s 100 Greatest Japanese Albums. This is something Japanese could easily relate to after listening so much to 80s music. Hidden in the sometimes outdated sonics, there is an important core songwriting philosophy.
This is an essential part of a comprehensive understanding of Japanese music. But, even more important, hidden among the tedious genre touchstones are works that offer immediate pleasures. This is a fact we in the west are only now realizing.
This is why I’ve never been able to understand how these Japanese tastemakers can canonize the vast mountain of second-rate City Pop that they do but overlook the amazing musicianship of Sunshower (which doesn’t even make it on Rolling Stone’s list). Sunshower is city pop at its best.
Shimmering jazz chords hover on top of warbly synths and drift below the timid voice of Taeko. Perfect singer to add that human touch to the album’s polished musicianship. Sunshower, executive produced by Ryuichi Sakamoto, features some of the best Japanese session musicians.
It’s a display of musical talent that feels effortless. Sunflower is a pop album that feels like it was recorded over one evening. It has jazz, funk, and other pop songs cutting through the studio’s smoke haze. Slowly, the sun fades beneath the horizon.
22. Cornelius – Fantasma (1997)
Fantasma is a great Japanese crossover success. It spanned the western music culture in 1998 like a misfired bottles rocket.
You just want to get on with your life without a care in the world about the carefully curated indie scene of the moment. As a work of patent absurdity, auteur-ship, it demands attention.
However, despite the positive tone, this initial reception by westerners almost seemed demeaning in hindsight. Fantasma was an American culture critic’s “silly foreign curiosity” that they could point out and giggle at. It is not a work of significant musical significance. Fantasma would prove them to be poor cultural analysts.
Fantasma’s and Cornelius’s militant fan bases continue to grow, outpacing the skewed American treatment that many curiosities get. This pushes the legacy of the west beyond the slapdash assessment it received in 1998. It received glowing reviews for its 20-year-old reissue in 2017, proving its retention value.
It’s not hard to fault critics for giving Fantasma these initial, indifferently positive reactions. It’s a collection of superficial pleasures that is overflowing with sweet treats and brilliant production tricks.
Fantasma’s true nature will only emerge over time. A collection of life-affirming pop music that changes and morphs with each listens. Slowly becoming richer and richer and richer.
What kind of music is popular in Japan?
Japan is the second-largest music market in the world. Japan is home to various music styles, including J-pop and J-rock as well Japanese jazz, Japanese reggae, Japanese Jazz, and Japanoise.
Search for: https://doyouknowjapan.com/music/
Who is the best Japanese musician?
Utada Hikaru 1. 宇多田 ヒカル (うただ ひかる) / Utada Hikaru. Utada Hikaru is a well-known and popular Japanese artist who has dominated Japanese music charts since 1997.
What American music is popular in Japan?
Bluegrass and commercial country are not as popular in Japan as other Western musical styles like jazz or rock. However, both have dedicated followings that have produced many talented native performers.
What is the most popular shamisen music of Japan?
Gidayu. Both men and women traditionally played shamisen. Gidayu is the most well-known and most difficult narrative style. After Takemoto Gidayu (1651-1714), it was named after Osaka’s bunraku puppet theater tradition.
Cazzette has many other articles on top-rated Japanese music that you can read in addition to this one. After reading this article, you will discover the best melody for yourself. You can post any problems or questions below. Cazzette is still available to help you solve your problem. Thank you for reading!
Some relevant articles maybe you also need: